The Eclectic Snowbear - Selling my Art

The ECLECTIC SNOWBEAR is the legally registered "assumed name" that I will use to sell my artwork under.  A friend gave me the cute name, and so I designed the logo based off a Polar bear.  There was a picture taken of me, posed with my long stemmed Churchwarden pipe that my wife bought for me a few years before, which I based the LOGO from.  An LVN co-worker made the scarf for me and I fell in love with it and drew it as well.

   As of this Blog's posting date I still have yet to do anything more than register the "assumed name", set up a website from which to showcase my artwork for sale, and slowly begin working on a few craft items.  After making, and building up an inventory of items such as : Gift Boxes, Decorative Masks, Windchimes and Fantasy Cloth Maps, I will open it up for actual sale. 

I still need to sign up for the TAX number and set up PAYPAL on the website.  I also want to sell my wares as a local vender at some Craft shows. We all have plans and goals - guess mine have to start somewhere! 

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My LIBRARY

[ CLICK on the Starfleet Seal ]

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The Art of Elizabeth Garza

I am extremely proud to introduce my daughter to the world.  Elizabeth is beginning to explore and open up to her natural artistic talents. If these are her "beginning" efforts then I am more than assured her developing will be astonishingly amazing down the road.  I am very proud of her, (I always  have been).

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Some of my Artwork

Painting

 

This is a painting I did THE TOWERS OF ROMORE, done on a Masonite board using acrylic paint; given to my wife as a 33 wedding anniversary gift.

   Years ago I assisted a dear friend of mine, Mike Cope with a junior High School project of painting a picture for our teacher, Pat Dunn.  I would say Mike did maybe 90% of it. A scene looking "through a window" into Middle-Earth. The predominant feature was the Hobbit Tree, and yes The Lonely Mountain in the background; which was my 10% contribution.

   I can sketch and do fairly well at pen and ink drawings but am uncomfortable with the fluid and lack of control and no patience with acrylic or oil painting.  My father enjoyed oil painting and did several wonderful examples.

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PUBLISHING

SNOWEBEAR PRODUCTIONS is the Official site listing what I have published with Amazon and on the e-book Kindle.

Here is a List of some of the stories I am currently working on and wish to see get published:

CURE CRISIS  Coming Soon! My closest story to actual publication.


THE CATHARSIS MANUSCRIPT  [Vol. I]  (Fiction/ Epic Fantasy: Biblical-esk)
THE WATCHER'S BOOK OF BOOKS: Tales From The Nephilim Age  [Vol. II]  (Epic Fantasy)

THE COMPLEX: Anthology of short stories  (Fiction: Weird Tales about a neighborhood)
   The Lesson
   The Gazebo
   The Envelope
   Over Again
   Remember When
   The Key
   The New Old Boots
   The Spell Box

The Trendelenberg Effect (Sciecen Fiction: Time Travel, Murder mystery)

The Awakening (Serial Killer, Mental Health)


(Some of these I have shared variously on this blog)

We all have "stories" in us. Stories, histories, fears, hopes and drama simply because we breath.  Some of the deepest moments of my darkest depressions have been, when in my own thinking I was "the only one" feeling. The best way out of depression, for me, IS in raising my head and realizing I am where I am. Others are behind me and others are ahead of me. We are where WE are in our journey in this experience we call LIFE.


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TNA PIXt

These are some old pictures I drew for my story THE NEPHILIM AGE

MY HAT

 

   THERE ARE SOME THINGS that are "just once in a life time" experiences; this was mine! I got my hat while on a TRIP in Columbia. We, John Velasquez and myself took a 700 step trek up the side of one of the World's largest rocks to a patio tower on top. After our descent I purchased this hat as a memento of the event and trip. No, it's not a Stetson. My hat is La Casadel Sombrero SASTOR 3xxx STEVENSON. I can't read it any more but I think it says SIZE 8 (?); It has tassels on back of rim, I didn't care for them at first, but came to like it for what it was. I love my hat and the memories it brings to mind of my grand adventures to another country.Because I had such a wonderful trip and John's neice, Natalia was my English guide I gifted her my favorite Indiana Jones fedora as a token of my deep appreciation; hence, also the reason for purchasing this one in return.
    While there I even saw some of the Guerrilla Rebels in Colombia. On the way to THE ROCK, El Penon we saw a band of Rebels pretending to be doing road construction. Our cab driver stopped and paid a "tax" as with passed by I saw all the rifles to the side on the way back they were not there; very very tense for awile there as they were looking in the cab and chattering away, I could tell even John was getting a bit concerned though he tired not showing it to me. I loved my trip and would go back in a heartbeat. The people were friendly and very respectful. Not only that but got to see some great ART, and visit the GRAVE of a Colombian Drug Lord.

Illuminated Manuscript

I'm going to strive to produce my story in a style like the old mideviel manuscripts. I think after a title page of course the first "Illuminated" drawing (using Gold Leaf) will be a reproduction of my Map. For a correct timeline, sadly Ramore will not be on it.

THE VERSE of the Scroll Box

THE WATCHER’S SCROLL
{ The Original Version }
© 2011 David DeLane Snow
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English
Sinenya translation/ font
___________________________________________

1     “Beneath that evening star dome, lead/
Nui tanya lome elen telluma koromindo

2       Lord Elrond with his people shed/
Mem Elrond yassen ho gwaith dwat

3  the woes of a war torn land/
Ianef eneohta ydil ndor

4   healed by a fulfilled king’s hand.//
Yiyhia edematulos ahanan cam

   5  Aboard their swan-carved ships/                                                                                                                   Eyuth ron aqua yicular kirya

 6      with praises high on ruby lips;/
Yassen valuca taum noiriador

   7    one - with Halflings dressed in vests/
Er yassen gwalfeth yiratha miecolan

 8      rewarded for a legendary quest.//
Yimanr tene ryarnut arsta

9       Yet some later said by madness of pride/
Amques luta equ edcesarta enarwel

10  those brothers fought and lied/
Eska ahdara maruk aryigulcata

11   their bonds they broke and took/
Ron ahvere ronka tamis artwyun

12       all loyalties of oaths forsook.//
Ilya ivustal enahvanda arquenta

13       Shelda`Mar implored we few to come/
Sheldamar yimqunt eme nnir atula`

14       aboard the ship of Valithnor, Cirdan’s drum;/
 Eyuth ikirya envalithnor ahcirdan danut

15   to the Undying Lands of hope and grace./
Aizesfirful ahndor enestal areruanna

16       yet outraged, Vendu`Mar abandon his place.//
Am hecah VenduMar arquita hoyamen

17       On the worn-out piers Vendu`Mar was arguing/
Ni sul sillium sudetsegsid iaf udnetnimagre VenduMar

18       drew against the command of his brother/
Elenis erenuc li udnem id as sunemrih

[STILL "translating"]
19       harsh words like a bitter sword that bites,/

20   though Shelda`Mar in sorrow took flight.//
Shelda`Mar

21       The wizard Gan`Mereith admonished us/
Li ugem GanMereith sun etruxi

22       to be wary against our growing lust;/

23       Sal`Gilvan and Veth`Dema barked back/

24       with their own words of black.//

25   We stayed like an anointed remnant,/

26       who saw it our goal to rule as imminent,/

27       teaching a new history to lesser men/

28       with a diverse tongue, Sinenya I Seraphim penned.//

29       Like unto Sindar was Sinenya made/

30   with new characters and words I laid;/

31       letters designed for new purposes crafted/

32      for initiated secretes were they drafted.//

33      For the greed of some soon railed apparent/

34      as our original cravings became too variant;/

35  instead of being counselors to students in need/

36      many wayward misguidings did breed.//

37      Celegreth of the elven Crystal Caves,/

38      and Kwandol the dwarven mason, made;/

39      a Great Hall like greeting hands/

40  domed six hundred years, still stands.//

41      Close to the bay a watchtower stood/

42      with a bell’s tolling alarm it would;/

43      chime forth the hours of the Great Hall/

44      for secret Brothers to heed its call.//

45   In that kingdom’s darkened hall we met/

46       among fireside rituals fussed and fret;/

47       knowing inwardly we hoped against hope,/

48       preaching failed expectations, we groped.//

49       High in that Watchtower’s nest/

50   its bell replaced we thought best;/

51       with a pyre set eternally aflame,/

52       for others to return without shame.//

53       On the day the oil-soaked wood was lit,/

54       by Fay`Symodare’s death all were hit;/

55   the shadow that fulfilled Mereith’s woe,/

56      the nightmare of mortal man became our snow.//

57       From his ashes we gathered a portion/

58       entombed in an urn with grave distinction;/

59       the rest we scattered upon the sea/

60       and pledged our own ashes would mingle.//

The Scroll Box

I have been working on a project for quiet some time, at least fermenting in my head and coming out as several sketches. Years ago I began writing an Epic Novel. THE NEPHILIM AGE: The Watcher's Requiem.  It is a complex tale, but basically a Fantasy.  A man learns of his lost brother and develops a relationship with him.  In doing so inherits an unusual gift.  One of which is a manuscript that tells about an ancient "pre-flood" people.

   I am crafting a Scroll that will be placed in a specially carved box.

The Cloth.  One day as I took the trash out I noticed an old couch had been discarded near the dumpster. I had been thinking a lot about the idea of crafting the Scrolls of Mithar and upon seeing the upturned couch knew immediately where the "cloth" would come from. Taking my pocket knife I removed the underlining of that old discarded couch and a year later am only now beginning to design the artwork to put on them.

 An Elven-teacher, Seraphim by name; the "creator" of the Scrolls themselves, (in the story).  The handwritten Script, shown in this drawing I did, is called Sinenya.  It is my own vocabulary mixed with variation of Tolkien's Elvish Sindar. 
  [Not pictured here is the Language of Nasil, the common speech of men. With Nasil (which looks like Sumerian cuneiform), is a translation of my poems into Spanish, reversing the letters, and dropping the vowels by one and changing the font.] Dan Smith created the FONTS for me.

    The Great Hall of Mithar; shaped like cupped hands with interlaced fingers. The "thumbs" of the building are supported with pillars and the main door just beyond them.

THIS is a Photoshopped design I did of viewing inside The Great Hall of Mithar.

 The Watchtower of Mithar, with an eternally lite bon fire atop. (An original sketch done awhile back).

 The Cultic hand-sign of the teacher's of Mithar's Tower, (with tattoo of their full titles).

The setting sun between the gateway to the sea beyond the Bay of Mithar.

Some of the Elves of Middle-Earth stayed behind and devised a new Cultic Society.

The Grey Havens of the City of MITHAR of Eriduah, 

 (another photoshopped picture I crafted).

The High Lord of the Grey Havens of Mithar died and was cremated; the remaining Elves kept his ashes in a special Urn. From there after those who passed away of the original remaining 21 Elven fathers were added to his upon their own death. The Watcher's Urn. Each one of these sketches will be a panel with elvish script telling the story.

"...These are but needless things we do here, unto them who understand not the majesty of the lives once lived and now thusly enshrined as sacred ashes within this Holy Urn." ~ Baal`yik Dormath Second Priest of Mithar.

THE SCROLL BOX

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Afterward, Murelen approached his throne picking up a resting pouch, and shared its contents with his silent scribe, “Upon my father’s death everything he owned came to me. This was among his most prized possessions, and spurred him toward his deepest desire; which has now become our journey to new beginnings.  I wish to give it to you, Fayendar as a token of our friendship, love and the deep respect my father had for you.”  Smiling, he added, “Something tells me it is more a part of your destiny than my own.  Keep it well.”

   It was the leather satchel that the king had always carried across his shoulder.  From it, Murelen removed a velveteen green-bag.  Supporting it with both hands, one on top the other below, he presented it to Fayendar.

   Accepting it, Fayendar said, “In the receiving alone, am I honored, milord.”  While untying the wrapped-around gold-cord and unfolding the bag, he slowly withdrew the object within just as the King added, “It is the original Watcher’s Requiem, written by the very hand of Seraphim himself.  I feel it will validate all that you have already come to believe, my friend and strengthen you for that which is yet to come.”

   Seeing his genuine surprise, the king smiled back as the scribe’s face lit up, “Thank you, for such a unique gift indeed, sire!”

   It was a small wooden box, almost the length and breadth of Fayendar’s hand.  Its lid was latched closed with a simple metal flip-lock, which needed no key or peg.  The lid’s top surface was ornately carved with deeply drawn vines. A windowed opening was accented with a hand carved swan-ship riding upon the waves, whose three unfurled sails pointed upward.  A small cloth scroll was rolled onto two pine-wood spindles that were locked in place by the closed lid.  Framed and showcased by the ornate window, Fayendar noticed that when he turned the left spindle the illuminated text was written in such a way that the lid’s carvings pointed out certain passage details: either chapter, verse or circled letters.

   Interrupting the inspection of his new gift, Murelen told Fayendar, “I am pleased you are so taken with it; however, I must now attend to other matters pressing upon me. For the tribal leaders will soon be arriving with a multitude of questions.”

   Returning the boxed-scroll to its bag, and returning it to the leather case, Fayendar quickly nodded as he was leaving through the tent flap entrance, “Certainly, and again, thank you, milord.” 

   Later that evening, in his private tent, Fayendar read the scrolls in their entirety, studying every word and its many detailed drawings with great interest.  After decoding the circled letters, Fayendar read a message that really astounded him.  For the author had written a warning not to add or take away from his words. 

   The tale he read on the scrolls were almost identical in every detail to Lyerah’s personal account.  It was written in poetic form in the tongue of Sinenya.  The version of the Watcher‘s Book he had studied those many years ago at Varlendur paled in comparison to the beautiful simplicity of the original cloth scroll.  For it contained none of the additional embellishings about the family and priestly lineages who followed the Watchers.  Neither were there any of the proverbial sayings and ceremonial songs nor the lyrical prohibitions against associating with dwarves, and venturing into the western woods of Kinderval.  

   Fayendar began to remember all his ‘sacred service,’ the mundane ceremonial duties he had preformed, and how they were labeled as ‘theocratic secrets,’ forbidden to be shared with even his non-priestly family members.  Strangely his eyes began to tear up.  He felt confused inside.  A scene of loss, and a feeling of gain all at the same time.  He had been told by so many people his entire life what the book said, that finally being able to read it for himself was an almost overwhelming experience.  A scene of disappointment made his shoulders drop because of the story’s difference was so different, so plain and simple, yet believable.  Suddenly, he realized his tears were of joy.  For he felt an inward growth, and the weight of all his guilt and frustration had finally lifted from his mind and heart.  The king was right, learning the truth about, ‘The Truth’ had validated his new beliefs, and strengthened him with a resurgence of confidence.